Ø Visual Story Consultant » for indie directors & film-school grads

I help you lock 
story arc, staging and camera, before endless revisions burn your budget.

15 years of layout on Dune: Part TwoFuriosaFast XGame of Thrones + teaching at ARTFX. I help indie directors and students stop wasting months on revisions.

Where you're stuck

You spend weeks tweaking your previs…
and nobody really gets what you're trying to say.

01

Endless pre-vis tweaks nobody understands

02

Pacing that feels off and you can't pin why

03

Camera work that doesn't serve the emotion

04

Revisions piling up, budget melting

05

Missed festivals, skeptical investors

06

Burnout creeping in....

Your 3 escape routes

Three ways to escape revision hell.

Pick the one that matches where you are.

Founding-client rate — First 7 projects

Trading a lower price for permission to build case studies

Layout Tune-Up

Unblock one stuck sequence.

€390
€290

/ one-time

2 sequences maximum

What you get

  • N
    90-min session
  • N
    Draw-over video feedback
  • N
    Tight image framing & composition
  • N
    Pacing that builds tension instead of flatlining
  • N
    A prioritized, shot-by-shot fix list you keep
  • N
    Delivered within 72h
  • N
    1-week support (up to 3 reviews)
  • You leave with a clear mind. Or you don't pay.

For who

Indie creators • Internal studio artists trying to move into Layout • Students hitting a wall on one key sequence

Previs Roadmap

Lock your core visual story.

€1090
€790

4 weeks

What you get

  • N
    3-hour kickoff deep-dive session
  • N
    Weekly 90-min session
  • N
    I work from whatever you've got: script, animatic, or rough previs
  • N
    A locked story-and-shot roadmap (you can hand straight to your team)
  • N
    Multiple alternative paths
  • N
    Custom references curation
  • 50% to book, 50% on delivery. After the kickoff, if you don't have a clear direction, we stop there, and you owe nothing more.

For who

Indie filmmakers with a short, webseries pilot, or feature pre-prod who need big-picture clarity before full production.

Story Navigator

Your weekly pre-prod second brain.

€1390
€990

/ month

Minimum 2 months

What you get

  • N
    Your pre-prod never stalls, bring me as many sequences as you hit
  • N
    Priority access & 48h turnaround
  • N
    Unlimited async feedback and support across your sequences
  • N
    2 extra hours “Unblock Sprint"
  • Every sequence you send gets answered within 48h. Miss that, and the month's on me.

For who

Indie directors in active pre-production • Small crews juggling nights/weekends who can't afford narrative chaos.

What I do: story arc, shot staging, camera language, pacing... the creative decisions.
What I don't: execute or produce your shots for you. I make the calls land; your team (or you) builds them.

Receipts

15 years on screens you've already watched.

Selected credits

Furiosa: A Mad Max Saga

Fast X

Game Of Thrones

Marvel's What If...?

Ballerina

Kong: Skull Island

+ 50 more

"Greg has been a key member of the layout team on Ballerina, producing many hundreds of shots for the project. He is dedicated and hardworking. He shoulders the burden of retakes with ease and has great enthusiasm for the medium."

Conal Wenn

Head of Cinematography — Wildbrain

"I had the pleasure and privilege to work with Greg on several projects at RodeoFX. He is a talented artist who rises to the challenge. He has a keen eye for composition and a great understanding of the cinematic language."

Alexandre Menard

Previs Supervisor — Rodeo FX

"I worked with Greg for about three years in my layout team. He’s a team player and hard worker, delivering both technical and artistic shots. On The House with a Clock in Its Walls, he showed great leadership and communication, and we delivered on time."

Marc Lebuis

Layout Supervisor — Rodeo FX

"Students I coached went from stuck pacing to festival-ready short films."

Workshops for schools

I teach the next generation what the trenches actually taught me.

Guest instructor at ARTFX Lille. I run layout and visual narration workshops for 4th- and 5th-year students.

No theory. Real fixes. Students leave with clearer pacing, stronger camera logic, and the confidence to defend their vision.

"Greg demonstrated excellent teaching skills. He supported every group with a positive and supportive approach, adapting easily to a wide variety of film styles. He helped students overcome staging challenges while fully respecting their creative vision."

FV

Frederic Vico

Head of 3D Animation — ARTFX Lille

"I can easily recommend Greg as a Layout instructor and colleague. He stands out for his understanding of the overall production workflow and deadlines, as well as his ability to write stories and bring them to life visually."

TS

Thomas Spony

CG Supervisor — ARTFX Lille

Case Studies

Real results. No fluff.

Layout Reel

15 years of cinematic layout

Film · Episodic · Feature

Before / After

From Random Action to Story-Driven Emotional Battle: Camera Logic Fixed

The struggle: A student had strong staging instincts and a good eye for cinematography. The battle scene looked dynamic on the surface with solid movement and framing. But even in an intense fight, the story drives the camera. Shots felt random, cuts didn’t build tension, pacing stayed flat. The audience watched action without feeling the emotional stakes.

What we fixed: We went back to basics and asked: Whose story is this? Who’s winning or losing at each moment and how do we make the audience feel it? We used the full camera toolbox (high/low angles, distance, composition) to serve the emotional arc. We rebuilt around story-first camera logic, increased pacing for rising intensity, created smoother transitions where each shot flows into the next like a dance, and guided the audience from wide shots to intimate close-ups.

The outcome: The sequence is now dramatically stronger with refined cuts, smoother transitions, tighter pacing, and real emotional build. It blends story, action, and emotion perfectly. A scattered fight scene became purposeful cinematic storytelling.

CREDIT: Olha-Mariia Yurchuk - Guided Layout Workshop (Setup → Conflict → Resolution exercise).

Want results like this on your project?

Why Me

My Unfair Edge.

I respect your unique vision. I almost burned out twice trying to impose mine on other people's films. Never again. My job is to make your story land harder, not turn it into mine.

01

Big-studio cinematic eye

15 years on Dune, Furiosa, Fast X, GoT. I know what reads on screen — and what gets cut in the edit.

02

Battle-tested in the trenches

Paris, Montreal, Sydney. 50+ projects. I've made every mistake already, so you don't have to.

03

Empathetic, never dictatorial

I don't tell you 'do it this way.' I show you multiple viable paths and help you pick the one that's truly yours.

Questions

Things people

actually ask.

How long does the support take?

It depends on the offer. The Layout Tune-Up is a single 60–90 min intensive session, with actionable fixes delivered in 48–72h and a week of follow-up support. The Previs Roadmap runs 3–4 weeks, with a 3-hour kick-off plus weekly 90-min sessions. The Story Navigator is a monthly engagement with a 2-month minimum, so we have enough runway to actually move the needle.

Is this only for professionals or also for students?

Both. I work with indie directors and small studios in active pre-production, and with ARTFX / e-artsup students and graduates preparing thesis films or their first commissioned work. Student rates are available, just ask during the diagnostic call.

Do you do technical layout work or only narrative/story guidance?

My focus here is visual narration and story clarity, not executing your shots. I help you make the right creative and camera decisions so your team (or you) can lay out with intent. If you need hands-on layout production specifically, we can talk about it separately.

I’m based outside France, does this work?

Absolutely. Sessions run on Zoom or Google Meet, and I adjust to your timezone within reason.

How do we start?

Book the free 20-min Diagnostic. We look at where you're stuck, I tell you honestly whether I can help, and if yes, we pick the offer that fits. No hard sell. If it's not a match, I'll point you somewhere better.

— Last Call —

Ready to escape revision hell and make your story land?

20 minutes. No pitch. Just an honest conversation about what's blocking your film and whether I'm the right person to help.